Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility
Unhappily married rich lady Emanuelle is fed up with her sleazy, disgusting and overbearing lout husband Michael and other men insensitively treating her like a piece of meat. So Emanuelle dumps Michael and gets involved in a torrid lesbian affair with en
They do not show war in this film, they show people and their dreams and hopes ruined by the war. It is not just another "war film", but it rises to the level of a true Tragedy. Not a propagandist or a sob story. Many critics compare this film t